Rare Rock Books I *Have* Owned and Known

I have a lot of books about music, mostly rock. They fill up a lot of shelf space, but I don’t really have a lot of books that were expensive, or would command much money if I sold them, even if they’re relatively rare. Not that this bothers me; I’m more concerned with the content than the resale value. (The same holds true for my records.)

The "extended edition" of Mark Lewisohn's Tune In is the longest, and one of the most expensive, books I own.

The “extended special edition” of Mark Lewisohn’s Tune In is the longest, and one of the most expensive, books I own.

I do have a few volumes, though, that are real hefty, costly, and not apt to be purchased by the casual consumer. As a kind of follow-up to my previous post about some of the most expensive/unavailable rock books I’d like to read, here’s a list of a dozen or so I do have, and which might be worth checking out if they’re up your particular alleys.

1. The Beatles: Tune In: Extended Special Edition, by Mark Lewisohn (Little, Brown, 2013). The Beatles are as omnipresent in the rare rock book world as they are in the world of best-sellers. One of the best Beatles books, and a high-selling one if not a best-seller, was Mark Lewisohn’s Tune In, the first installment (stopping at the end of 1962) of his projected three-part biography. The “standard” edition, measuring a “mere” 900 pages or so, was itself too intimidatingly large for many readers. So the “extended special edition”—running almost twice the length at around 1700 pages—was not for the faint-hearted, or the paycheck-to-paycheck. It’s gone down in price a bit since its publication in late 2013, but it’s still a little more than $100 on Amazon.

But, to condense my review of the extended edition in a previous blogpost, I feel like this monumental biography still hasn’t gotten the attention it deserves. It’s easily the most comprehensively researched volume on this much-written-about group; the writing is very good; and it extensively draws on the musical and social context of the times in interesting, useful ways. It’s really worth the costly investment if you’re a serious Beatles fan. It has considerably more information than the standard mass-market edition, from important additional context to fascinating trivia.

The "regular" edition of Tune In still runs almost 1000 pages.

The “regular” edition of Tune In still runs almost 1000 pages.

2. The Inevitable World of the Velvet Underground, by Alfredo Garcia (self-published, 2011). From the biggest band in the world to the biggest cult band in the world, from a big-selling title to a small limited edition—that’s the leap we’re making with this next listing. Self-published in a numbered, limited edition of 500, this 504-page book compiles and reprints almost every known press clipping, advertisement, record review, chart listing, press release, etc. related to the Velvet Underground through the mid-1970s. There’s no accompanying text, but on their own these are incredibly valuable archival/historical materials, printed clearly on good-quality paper, chronologically sequenced in the order in which they originally appeared. It also includes a bound-in bonus CD of VU radio ads and interviews. Somewhat to my surprise, copies are still available for $100 or 90 Euros (shipping and handling included in both cases) through https://inevitablevucatalogue.wordpress.com.

The Inevitable World of the Velvet Underground

3. Barrett, by Russell Beecher & Will Shutes (Essential Works, 2011). Not a biography of the great Syd Barrett, but an art book with photos of both Syd and early Pink Floyd; reproductions of paintings and illustrations by Barrett that have rarely or never been published; and repros of letters Syd wrote to various girlfriends before his brief period of fame. It’s pricey (£100 to the US, shipping included; lower in the UK and EU, higher rest of the world), and the appeal might be limited by its relatively narrow focus. But the packaging and quality of the reproductions are exceptional. I wrote a much lengthier review, and interviewed the authors, in issue #1 (spring 2012) of Flashback, which is itself hard to find now in its physical form, though it can be downloaded here.

barrett

4. Recording the Beatles: The Studio Equipment and Techniques Used to Create Their Classic Albums, by Kevin Ryan and Brian Kehew (Curvebender, 2006). Huge and heavy doorstop volume that goes into exactly what the title says it does, in a ton of detail. I’d have to say this is of most interest to “gearheads,” or at least music fans who are also musicians and/or recording studio professionals, owing to the sheer weight of highly technical descriptions of microphones, mixers, and other equipment. Some sections, however, are more accessible to the average Beatles fan, filling in some interesting gaps about their recordings and instruments that were not covered in other excellent books, such as Andy Babiuk’s Beatles Gear (coming out in a few months in a substantially revised/updated edition, by the way) and Mark Lewisohn’s The Beatles Recording Sessions. This retails for about $100 through curvebender.com, and though it’s not for everyone, those I know with more than a passing interest in the subject have been very satisfied with their purchase.

RecordingTheBeatles

5. Shakin’ All Over: The Birth of British R&B: The Life and Times of Johnny Kidd, by Keith Hunt (The Magnum Imprint, 1996). Here for a change is a book that’s not deluxe in scale (though it’s 200 substantial pages), and not even particularly expensive. It finds a place here because it’s just not very well known, even though its subject—Johnny Kidd, the best pre-Beatles British rock musician—is very worth knowing about. Although author Keith Hunt might have been more of a devoted fan/researcher than a writer, there’s lots of first-hand interview material with those that knew Kidd (most famous for his 1960 UK hit “Shakin’ All Over”), as well as a wealth of photos and illustrations. Used copies aren’t hard to find online in the $40-50 range—not too much more than the 17 pounds I paid for it in a London bookshop in 1996, shortly after its publication. Don’t get confused by the unnecessarily long and unwieldy title, by the way; this is a comprehensive book about Kidd, not a book about the early British R&B scene.

Johnny Kidd SB 32565656

6. P.F.—Travelling Barefoot on a Rocky Road: The Musical Biography of P.F. Sloan, by Stephen J. McParland (CMusic, 2000). I noted this title in passing when I discussed CMusic in my post about rare/expensive books I haven’t read. I do have this one, however, which is a very comprehensive biography of Sloan, the cult figure who wrote and performed numerous classic pop-folk-rock songs in the mid-1960s. It’s plainly designed, and the level of record-nerd detail isn’t for everyone. But the depth of research is enormous, with 40 pages of intensely extensive discographical information. CMusic titles (most about ‘60s California pop-rock) are expensive when they first come out (this cost me 26 pounds in a London bookshop shortly after its publication), and seldom spotted in stores—in fact, the only time I physically saw this was when I bought it. Unlike all of the other titles in this post, I don’t see this for sale used anywhere online—something true of most CMusic titles, unfortunately. They must have pretty limited print runs.

sloan

7. The Beatles from Cavern to Star-Club, by Hans Olof Gottfridsson (Premium Publishing, 1997). It’s back to the Beatles for this 460-page Swedish production, with text exclusively in English. Subtitled “The Illustrated Chronicle, Discography & Price Guide 1957-1962,” it very meticulously documents their pre-1963 recordings. Some of the tables of discographic information (particularly of the sessions they did with Tony Sheridan in Germany) are dry and purely of referential use. But there are also interviews with people who knew and worked with them in their pre-fame days, like some of the Quarrymen, pianist Roy Young, and recording engineer Karl Hinze. There are many rare and interesting photos and illustrations, and possibly more reproductions of releases of the sessions they did with Sheridan than you want to know about.

It must also be said that the organization and sequencing of the material is sometimes haphazard. Having written my own book about the unreleased Beatles’ material, I might not be the most objective judge, but I’m also incredulous that the coverage of the 15 songs they cut at their January 1, 1962 Decca Records—the most significant recordings they made during these years, besides their first pair of singles for Parlophone—is so perfunctory. In other respects, however, the volume has amazing material for the (very, admittedly) serious Beatles fanatic, as well as a bound-in bonus EP with a nice picture sleeve, though the four tracks (all backing Tony Sheridan) are easily available elsewhere.

The book is still available from premuimpublishing.com for the reasonable price of $48. Author Hans Olof Gottfridsson, incidentally, uncovered a lot more interesting, previously unknown information about the Beatles’ December 1962 recordings at Hamburg’s Star-Club for a two-part article in the June and July 2015 issues of the UK magazine Record Collector.

Hamburg

8. The Action: In the Lap of the Mods, by Ian Hebditch and Jane Shepherd with Mike Evans and Roger Powell (self-published, 2012). Most expensive limited-edition rock history books are about superstars. Or, even if they’re not about superstars, about acts with huge cult followings (as is the case with The Inevitable World of the Velvet Underground), or acts with links to superstars (like Ronnie Wood’s new How Can It Be? A Rock and Roll Diary, based around the 1965 diary he kept when he was a member of the first band with whom he made records, the Birds). One recent exception to this general rule is this lavishly illustrated, 400-copy hardback devoted to the mid-‘60s British mod band the Action, who didn’t have any hits, but have sustained a sizable cult following.

I’m not as big a fan of this book as some other enthusiasts; the Action’s history, though interesting, is a little stretched to fill out even a book of this length, and some of the sections on mod fashion and culture, eyewitness accounts of the band, and venues aren’t as interesting as the ones on the actual short-lived group. Still, it’s packed with cool period illustrations and first-hand quotes from the Action members, and even has brief appreciations by George Martin (who produced them) and Phil Collins. It’s still available through the website theactionbook.com for £75 plus shipping (beware, the shipping adds on about 50% to your total purchase if you’re ordering from North America). There’s a £35 edition that just includes the 176-page core book, but doesn’t include the notable bonuses you get with the 400-copy limited edition: a 96-page scrapbook of sorts of vintage clippings and gig listings (plus detailed discography) and a seven-inch single of a previously unreleased track from their May 1965 Decca audition.

Actionbookcover_-_web_version[1]

9. “What’d I Say”: The Atlantic Story: 50 Years of Music, by Ahmet Ertegun (Welcome Rain, 2001). This back-straining 565-page, approximately 14.5” X 10” job is the kind of thing that usually gets issued as a limited edition. Refreshingly, it was produced for the mass market, if at a pretty expensive price of $75; I was pretty lucky to find a used copy at half price. Ertegun was head of Atlantic Records, and like many books written by such executives, it’s more a celebration/glorification of the label’s successes than an objective look at the company’s accomplishments and failures. For more depth, there’s Charlie Gillett’s 1974 volume Making Tracks: The Story of Atlantic Records, and Robert Greenfield’s Ertegun biography The Last Sultan. But this coffee table book does have lots of good photos and Ertegun quotes, as well as some essays about aspects of the label by prominent music critics, though it unfortunately says little or nothing about some of their more interesting acts (like the Velvet Underground). It looks like new copies are now available online for half the list price at which it originally sold.

Whatd I Say

10. Some Fun Tonight!: The Backstage Story of How the Beatles Rocked America: The Historic Tours of 1964-1966, by Chuck Gunderson (Gunderson Media, 2014). Mammoth, expensive ($175) two-volume, 600-page hardback set documenting the Beatles’ mid-‘60s North American tours in exhaustive detail. This is more for the Beatlemaniac than the general reader, owing to the price but also the coverage of material that will be of most interest for reference purposes. It’s certainly in-depth in its research into how the concerts were set up and took place, however, and is lavishly illustrated with photos, posters, and documents, some quite rare.

SomeFunTonight

11. These Are the Voyages: TOS [The Original Series]: Star Trek Season One/Two/Three, by Marc Cushman with Susan Osborn (Jacobs/Brown, 2013/2014/2015). Some readers will think this is an outrageous inclusion, and they have a point, since this is about Star Trek, not about rock music. Still, there seems to be enough of a crossover between rock fans (especially of ‘60s rock) and Star Trek to make this three-volume set worthy of attention in a post like this, especially since they’re the kind of specialist books that haven’t gotten a lot of press outside of the Trekkie community. This is an astonishingly detailed episode-by-episode survey of all 79 programs from the original series, drawing on lots of first-hand interviews, photos, and production notes. In that sense, it’s kind of an equivalent to a rock book like Mark Lewisohn’s The Beatles Recording Sessions, giving even experts their first real play-by-play look at what happened behind the scenes.

As the three volumes add up to a total of 2000 (!) pages, it’s not for the casual reader, or even the casual Trekkie. But if you’re reading a post like this to begin with, you’re probably not a casual reader of books on your favorite subjects. And if you’re someone who does opt for tomes like this, it’s time to stop being embarrassed about spending lots of time and money reading something so specialized that people look at you funny when you even mention it. And, while undeniably long, this three-volume series isn’t all that expensive, especially if you get all three at once—which you can do for $67.95 plus shipping through the thesearethevoyagesbooks.com website.

These_are_the_voyages_TOS_season_two,_first_edition_cover

12. YES: Yoko Ono, by Alexandra Munroe and James Hendricks (Harry N. Abrams, 2000). As I wrote earlier this year in another context, Yoko Ono is one of the most polarizing figures in popular culture. It will thus gain me points with many fans, and lose points with many others, to say that I’m not a fan of her music. I like much of her art, though, and that was the focus of this $60 coffee table volume. Issued to coincide with a major traveling exhibition of her work in the early twenty-first century (including a stop at the San Francisco Museum of Modern Art, where I saw it), it does include some coverage of her music. Most of the illustrations and essays, however, are about her visual artwork, events/performances, and films. Not for everybody—nothing related to Yoko Ono is for everybody, or almost everybody—but a cool thing to have, almost functioning as a book-length (350-page) catalog for the exhibit. Especially if you’re lucky enough to find it for $25 used, as I did, since it still sells for about $60 online (a mere $20 in the paperback version, though).

Yoko

Note: I haven’t listed some discographies and reference volumes that are also pretty expensive and/or out-of-print/hard to find. Several of the ones I’m fortunate to own, however, are highly worthwhile if you’re a devoted collector, including:

Endless Trip, a nearly 800-page book of reviews of North American rock albums from the mid-1960s to the mid-1970s, edited (and often written) by my friend and Flashback editor/publisher Richard Morton Jack. Issued in 2011, this is already going for $200-$500 online.

ETfront

Galactic Ramble, a similar 500-plus-page compendium of reviews of UK rock albums from the mid-1960s to the mid-1970s, also edited/published/often written by Richard Morton Jack. Published in 2009, this is already going for $600-$700. Yikes!

GalRamb_image

Vernon Joynson has several huge discographies of rock from 1963-76, including volumes for acts from the UK (The Tapestry of Delights); Canada/Australasia/Latin America (Dreams Fantasies and Nightmares from Faraway Lands); and the US (Fuzz Acid and Flowers). I have just the first two of these. The only one still in print is The Tapestry of Delights, now a two-volume expanded edition selling for £68 through borderlineproductionsbooks.co.uk (though bear in mind it totals more than 2000 pages).

Tapestry

Mike Markesich’s TeenBeat Mayhem! is a 400-page small-print discography listing and rating nearly 10,000 US ‘60s garage rock singles, with a few essays and many illustrations. The official list price was $99.95, but you can get it for half that through the web store of Ugly Things magazine.

147 TeenBeatMayhem_frontcover

Acid Archives, edited and often written by the late Patrick Lundborg, has almost 400 pages of detailed reviews of really obscure North American rock records from the mid-1960s to the late 1970s (with a few exceptions). Some rare/underground major label releases are included, but the emphasis is on albums that few people outside of the dedicated collector community have heard of, often released in limited runs or private/vanity pressings. The second and most recent edition (from 2010) sells for $83.25 on Amazon, but you get a much better deal from Forced Exposure, currently listing it for $52.

AcidArchives

Rare Rock Books I Have Not Known

When I determined to get a complete Beatles collection at the age of eleven in 1973, it was hard to even find non-LP B-sides by the Beatles. So to those of us who came of record-collecting age in the 1970s and 1980s, it’s a shock to be able to hear virtually anything these days at little or minimal expense, whether on physical reissues or online. We can debate whether listening to MP3s or through computer speakers devalues the experience (or whether some of the online means of delivery are even legal). But the fact is that there’s not much music I want to hear that I can’t immediately hear, whether in my (admittedly large) collection or by another means.

How much would you pay for this book? For the astonishing answer, read on...

How much would you pay for this book? For the astonishing answer, read on…

The same isn’t yet true for books about rock history, however. Yes, you can get the overwhelming majority of the ones you want at affordable, reasonable, or no cost through the library, bookstores, and online, whether they’re in print or out of print. There are a few books, however, I want to read and haven’t, and quite possibly never will. That’s because they’re ridiculously expensive limited-edition copies, and/or literally quite hard to find even if you’re willing to pay three or four figures, in part because few copies were printed.

Maybe within a few years or even a few months of this posting, technology will have changed so that the pages of these rarities will be easily accessible via online or electronic means, legally or otherwise. But at the time I write this in August 2015, the books cost are either way beyond my (and most rock fans’) budget, or not immediately obtainable at all. So in a novel best-of list of sorts, here are reviews of books I haven’t read, but would most like to read if they became reasonably affordable or available.

The volume that started me even mulling this whole issue over a few weeks ago is simply called Stu, a limited-edition book about the “sixth Stone,” auxiliary Rolling Stones keyboardist/road manager Ian Stewart. Some of these kinds of productions (a few of which will be listed in this post) are much more photos than text, something that doesn’t excite me too much. This, however, looks quite substantial: 432 pages, 85,000 words, lots of rare photos/illustrations, and written tributes by Mick Jagger, Keith Richards, Charlie Watts, and Ronnie Wood, among others.

A not-so-revealing glimpse at the packing for "Stu," a book about Ian Stewart, longtime keyboardist/road manager for (and original member of) the Rolling Stones.

A not-so-revealing glimpse at the packing for “Stu,” a book about Ian Stewart, longtime keyboardist/road manager for (and original member of) the Rolling Stones.

You can look at a few pages, and even read some of the text if your screen is large and you squint really hard, at http://www.out-take.com/stu-book/. Can you buy it? It doesn’t look like it; it was limited to a run of just 950 copies and only available direct from the publisher, Out-Take Limited, according to its website. That slow-loading site doesn’t list a price anywhere, though when it came out in 2004, it was according to one report selling for about $1000 apiece. And 2004 is how long ago it came out. It’s a testimony to its exclusivity that I, a big Stones fan who has taught courses about them, was not even aware of its existence until it was cited in a footnote in Taschen’s recent coffee table book of Stones photos (itself a hefty production, bearing a $150 list price).

Another book I wasn’t even aware of until this year was Bobby Fuller Four: Rock’n’Roll Mustangs. I’m a big Fuller fan—I wrote a chapter on him in my book Urban Spacemen & Wayfaring Strangers: Overlooked Innovators & Eccentric Visionaries of ‘60s Rock. And his life was interesting, not least because of his mysterious July 1966 death (ruled a suicide, though most fans believe he was murdered). It came out in 2009, but it’s sold out, according to the website of the publisher, CMusic Books.

rocknrollmustangs

CMusic is essentially an outlet for limited-edition books by Australia-based rock historian Stephen J. McParland, who’s issued numerous books on Californian rock of the 1960s, most but not all of them surf music-related. I have one, the 2000 volume P.F.—Travelling Barefoot on a Rocky Road: The Musical Biography of P.F. Sloan. And it’s very good, with 275 pages of fine detail about the enigmatic singer-songwriter’s career that has a lot of the same hard-to-believe stories as Sloan’s recent memoir, but are here used within a biography (if often via Sloan interview quotes), not told as a first-person account. It was quite expensive (26 pounds in a London bookshop, the only time I saw it), and is also long out of print.

sloan

So are most of McParland’s books, though they continue to be listed on the CMusic website. It’s no doubt hard to self-publish such niche volumes, but he might want to consider printing them in larger quantities. Or reprinting some of the more popular ones, so hard are they to locate once they’re unavailable from the site.

The sheer quantity of Beatles books ensures there are a few coveted limited editions by Beatles insiders. Perhaps the most famous of these is Derek Taylor’s Fifty Years Adrift, in which their frequent publicist recounts experiences both with the group and with Californian acts during his stint as a PR guy in Hollywood in the mid-‘60s. In his memoir Taylor, wrote Richard Morton Jack in the spring 2013 issue of Flashback, “is a shrewd and even-handed critic of [the Beatles] without once losing sight of his admiration for their achievements. He’s also an intelligent, perceptive and witty writer, making his prose a joy to read. Added to the myriad of facts and anecdotes on offer is a wealth of memorabilia, reproduced in full color, some of it in glued-in-facsimile.”

Can you get it? Doubtful. Published in a limited edition in 1983 by Genesis Publications (much more of whom in a bit), it’s now listing for $4,999 (!) on ebay. As Jack concludes in his review, “If ever a rock memoir was crying out for a mass-market reprinting, this is it.”

Take note: Derek Taylor's inexpensive, easily available book It Was Twenty Years Ago Today is *not* the same book as his limited-edition memoir Twenty Years Adrift.

Take note: Derek Taylor’s inexpensive, easily available book It Was Twenty Years Ago Today is *not* the same book as his limited-edition memoir Fifty Years Adrift.

Genesis, which specializes in expensive limited editions, has also done a few other Beatles titles, three of which interest me in particular. Now that he’s just passed his 75th birthday, Photograph might be the closest we come to a Ringo Starr memoir. It has more than 250 photos, and text – albeit, in line with a lot of these limited-edition books, more like captions than full-length book prose — by Ringo himself. This is the only Genesis book I’ve actually been able to read a good portion of, as the Rock and Roll Hall of Fame Library & Archives in Cleveland has copies of some Genesis volumes that the public can read on the premises (but not borrow, of course).

The run of 2150 copies (with a hefty price of about $600 each) is sold out, but good news reached me just after I put up the first version of this post. Genesis, which infrequently puts out “regular” or “trade” editions of its limited-edition books, will be putting one out for Photograph with a much more affordable list price of $50 in September.

Ring-Book-Cover

Also on Genesis is George Martin’s 2003 memoir Playback, which at 50,000 words is more like a conventional reading experience, though its 328 pages also feature lots of images. That too is out of print and selling for high sums—almost $5000 on ebay, though for more like $1000 (if possibly not in as good condition) through Amazon.

The cover for George Martin's Playback—proof that expensive books don't necessarily look all that appetizing.

The cover for George Martin’s Playback—proof that expensive books don’t necessarily look all that appetizing.

There are plenty of other Beatles-related titles on Genesis (including ones by early Hamburg associates Astrid Kirschherr and Klaus Voormann), but the one that interests me the most is BIG: Beatles in Germany, which has a chapter by Tony Sheridan. There’s a guy who should have written a memoir, though I don’t know how big the chapter is (and it can’t be book-length, the volume only being 138 pages). The listing on the Genesis website does says “he talks frankly – and for the first time – at length of The Beatles and the early days of their career.”

A more obscure, and more affordable, Tony Sheridan book that few people, or even few Beatles fans, have read.

A more obscure, and more affordable, Tony Sheridan book that few people, or even few Beatles fans, have read.

Genesis naturally has some Rolling Stones titles too. The one I’d be most eager to read is the 2001 production Exile, featuring Dominque Tarlé’s photos of the Stones while they were recording Exile on Main Street in the south of France in summer 1971. More crucially, the 248-page book has 90,000 words, making it more of a “real book” for those of us who want books to read and not just to look at. My guess is it’s better than the non-limited-edition, non-photo-oriented books on Exile on Main Street (of which there are at least three). That’s just a guess, since this 1740-copy limited edition sold out long ago, and it’s going for about $2000 if you can hunt down a copy for sale. Which means I won’t be reading it, unless that fat government research grant comes through soon.

Exile

A real interesting-looking Stones book that will be coming out on Genesis soon (and it might already be out—it’s hard to tell from the website) is Ronnie Wood’s How Can It Be? A Rock & Roll Diary. In a way, it’s not even a Stones book, since it’s based around the diary he kept in 1965, when he was lead guitarist in the Birds, the first band with which he released records. There aren’t many such this-is-what-actually-happened documents, and as such it could be a quite valuable relic not only of Wood’s past, but of the London mid-‘60s rock scene of which he was very much part. (Or, if his diary entries were as perfunctory as the ones that have surfaced from the late ‘60s by George Harrison, it could be nearly useless.) Only 1965 (get it?) copies will be printed, though relative to the other items we’ve discussed here, at a “mere” 295 pounds (about $450-500 US), it’ll be a steal—as long as copies last.

This Birds EP has their recording of "How Can It Be," the song after which Ronnie Wood's new book is named.

This Birds EP has their recording of “How Can It Be,” the 1965 B-side  after which Ronnie Wood’s new book is named.

Genesis has a lot of other rock titles that look like they could be neat, like Maximum Who: The Who in the Sixties, or the 95,000-word California Dreaming, based around photos of the ‘60s/’70s L.A. rock scene by Henry Diltz. But before this turns into an unpaid ad for Genesis, it should be emphasized that there are some other book rarities that aren’t so much geared toward the 1% as almost unknown, in part because they’re about near-unknowns. Like Herb Bermann, for instance. Who? Well, he co-wrote eight of the songs on Captain Beefheart’s 1967 debut album Safe As Milk, though not much is known about him. Until the June 2015 publication of the first edition of his book The Mystery Man from the Magic Band, printed in a run of a mere 100 copies. It’s already sold out, though fortunately the two-part interview with him that seems to form the main part of the text is online here.

Mystery-Man-from-the-Magic-Band

That’s a peril of even finding out of the existence of some of these books—by the time you know they’re out there, they’re gone. Take A Is for Apple, a 686-page job covering Apple Records in just the years 1966-1968, with nearly 3500 (!) images. It’s reviewed (and the authors interviewed) in the new Flashback, but has already sold out, though the price was a fairly steep $117 postpaid to the US (according to one online forum). The authors are thinking of making this series even larger than the planned four volumes, but have not announced any plans to reprint volume one, though the interview hints they might make it available digitally.

apple

Also gone, or at least not easily findable at a below-three-figure price, is Ken Sharp’s 400-page Elvis Presley: Writing for the King: The Stories of the Songwriters, with interviews with more than 140 people who wrote songs for Elvis (or had their songs covered by him). That’s interesting in and of itself, but as the crown on this King, it came with two CDs of rare material. One features previously unreleased RCA recordings of Presley in concert in Las Vegas from 1969 to 1972; the other, more intriguing one has the demos of songs that he learned, going all the way back to “Heartbreak Hotel” (sung by Glenn Reeves), and sometimes performed by songwriters like Otis Blackwell and Mort Shuman. This didn’t come out all that long ago (2006), but it’s already long out of print and scarce, selling for about $200 if you can find a copy online. Although at least a few scattered copies are out there, and not selling for nearly as much as those Genesis titles by George Martin, Derek Taylor, and others.

1393595179_elvis_writking

Will some of these books be made available at an affordable price (or even available again at all, if they’re out of print)? From the selfish perspective of well over 90% of the people who might be interested in reading them, it seems like it would be a great service to do this, whether in reprints, ebooks, or (especially in the case of the Genesis titles) regular “trade” editions on less fancy paper. This happens once in a while; Genesis’s 512-page Jimmy Page By Jimmy Page, for instance, is in “regular” bookstores, and even some libraries, selling for around $45 on a few online outlets. Let It Bleed, photographer Ethan Russell’s valuable coffee table tome about the Rolling Stones’ activities in 1969 (especially their US tour and concert at Altamont), sells in elaborate editions for $650 or $990, but also as a quite reasonable trade edition hardback for $55 (and also as a Kindle ebook for $11.99, if you’re a real cheapskate).

Let-it-bleed

The high prices and/or limited runs of books by Genesis, Out-Take Limited, and CMusic might be necessary to make these volumes viable for them to produce in the first place. Genesis and Out-Take Limited invest a lot in elaborately packaging and illustrations, as well as the cooperation and participation of superstars; CMusic puts out titles for very niche audiences. A couple other books discussed in this post are self-published jobs that might similarly take quite a bit of money and time, especially for small operations. It’s quite likely felt that reprinting expensive titles whose very rarity (as limited edition runs) were a selling point would diminish their value to the original purchasers. Nonetheless, doing more affordable and available editions (as Genesis will for Ringo Starr’s Photograph in September) seems like a strategy whose time has come, given the certainty of readers who want the content. In the meantime, should any readers of this blog want to offer more details about some of the titles I’ve described in this post, please submit comments.

Biking in Point Pinole and Miller/Knox Regional Shoreline Parks

Although it’s just a few miles north of Berkeley, Richmond doesn’t get much notice or respect, let alone many visitors. If it makes the news or conversation, it’s usually about its crime or environmentally poisonous oil refineries. It’s not likely to make most visitors (or even Bay Area residents’) must-see lists soon. But there are some scenic areas just outside its city limits that relatively few people know about unless they live in the immediate vicinity.

One is Point Pinole Regional Shoreline, a few miles northwest of central Richmond. Especially on a weekday, this is real quiet, even for a large park, with few visitors and several miles of paths for biking and walking. These are especially user-friendly for wheelchair users, as they’re pretty level and little-traveled.

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Pier and paths in Pinole.

Pier and paths in Pinole Point Regional Shoreline.

Even in such a nice setting, however, there are reminders of the industrial powers that did their part to put Richmond on the map, and these days are responsible for much of its notoriety. At one view of the bay near the main entrance, for instance, you can easily spot nearby working refineries:

Refinery

Railroad tracks also run right through the park near the main entrance:

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A few miles down the bayside is Miller/Knox Regional Shoreline, just south of Point Richmond, a small affluent enclave in what is one of the East Bay’s poorer and more industrial regions. The better recreational paths are in the park’s northern and central areas, but the most interesting cultural relics are at Ferry Point at the southern tip:

Ferry

This Richmond Ferry Terminal, now disused, was actually used to transport passengers to Fisherman’s Wharf and the San Francisco Giants ballpark until the late 2000s. There’s a bit of a ghostly feel to the Ford Point area where the terminal sits, in part because of surrounding eerie old industrial buildings:

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Bike just a bit south of the ferry, and you reach a shipyard, part of which has a similarly past-its-prime aura:

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Although biking within these parks is fun and easy, biking to these parts, unfortunately, is anything but. Even starting from the relatively close Richmond BART station, you’ll have to navigate miles of highways and truck-filled industrial roads to get where you’re going, for which you’ll need a pretty good regional map. Even some of the neighborhood streets are long overdue for maintenance, and one connector bike path almost petered out in a dried-out mud slide near its finish.

Odd labyrinth on bike path near Point Richmond docks.

Odd labyrinth on bike path near Point Richmond docks.

What of Richmond itself? I can’t pretend to have seen too much of it, either on my bike trip a few days ago or in my thirty years as a Bay Area resident. It was heartening, however, to see a colorful mural-filled park in this inner-city neighborhood near the BART station. Even the website of this space, Pogo Park, acknowledges that it’s “in one of the Bay Area’s toughest inner-city neighborhoods, Richmond’s Iron Triangle”:

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Local color: murals and more in Richmond's Pogo Park.

Local color: murals and more in Richmond’s Pogo Park.